• BBC: 2019 Brand Postcard (Director’s Cut)

    BBC: 2019 Brand Postcard (Director’s Cut)

    For this video I did a few screen inserts (0:21, 0:38, 1:58, 2:49) and VFX shots (1:14) for Evan S. Frushtick at BBC Studios Americas.

  • Extinction Rebellion: How to Wheatpaste!

    Extinction Rebellion: How to Wheatpaste!

    This short instructional video was created to plant the seeds of art activism. Two members of XR Youth give a quick demonstration of the wheatpasting process.

    Charles Day was responsible for the lion’s share of the process: cinematography, direction, sound, and editing. Dilan and Sara are the two brave souls demonstrating the wheatpasting. My role was finish editing, color, motion graphics design & animation.

  • Extinction Rebellion: “Love & Rage”

    Extinction Rebellion: “Love & Rage”

    Love & Rage: Extinction Rebellion Los Angeles offers a behind-the-scenes look at the activists, planning, and actions of XRLA.

    Produced on a 3-week deadline in April and May of 2020, this documentary serves as a brief introduction to non-violent direct action and an invitation for anyone concerned about the climate crisis to join the movement.

    My roles included producer, editor, music supervisor, additional footage, data wrangler. My production partners included Toni Marie Jeffries, M.E. Palacio, Amanda Yates Garcia, and Steven Starr.

  • BBC: “Top Gear Classic” Show Open (Network Cut)

    BBC: “Top Gear Classic” Show Open (Network Cut)

    This show open was created for a BBC “Top Gear” anthology series. Shots were created as a “toolkit” and provided individually to be “remixed” for various versions such as “Big Rigs” and “Aquatic Adventures”.

    My roles: Concept, pitch, design, and production including scene setup, animation, materials*, lighting, rendering, compositing.

    Produced by Evan S. Frushtick. Assistance from Henry Gretzinger. Models purchased from TurboSquid and CG Trader. Edit and sound by network.

    *Materials were delivered as standard Cinema 4D materials and it was necessary to convert or replace them completely with materials compatible with OTOY Octane Render.